I continued to make large outdoor assembled pieces in 1989 and 1990, and did some smaller pieces, assemblages and stone work. The assembled pieces I still regarded as metaphysical “machines” that told their own story through their “function”. Just enough information of what they were intended to “do”, so that a viewer could be drawn to figure it out or perhaps make their own stories.

All of them, from 1988 and the three below, were “up” on the land around my house for three or four years.